Wednesday, February 8, 2012

You Also Get--

Jasika Nicole drawings . Plus, check out the remarkably poignant and intimately autobiographical portraiture in her High Yella Magic “graphic novellas”… in the artwork area of her site.
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(a poem by me)
Ah, The WayLook onward to where heart and mind are going,
For thou shall spend some time there,
If thou judge it well and good.
Kneel in contemplative thought,
Discover what thou shalt ought,
In comprehending and incomprehensible eyes.
Go your way.
--- The Prophet

95ers : ECHOES official movie trailer from Space Ace on Vimeo.



MANUAL FOR BORED GIRLS from Jesus Plaza on Vimeo.

Saturday, February 4, 2012

short story: “There Is No Absurdity So Obvious...

...that it cannot be firmly planted in the human head if you only begin to impose it before the age of five, by constantly repeating it with an air of great solemnity.” -- Arthur Schopenhauer
The year: 2000
The place: Prometheus Institute; recreation room
(alternate reality)
“You know what I’d like to see?” Sarah Decker (age 28) asks— rhetorically-- her new best friend?
After a brief pause of consideration, Wayne Gordon (age 27) replies, in an attempt at humor, with a somewhat facetious non-sequitur, “uh, a unicorn sliding down a rainbow?”
(Humor= revelation of truth, expressed through incongruous absurdity or goofiness.)
“No!”, rebuffs Sarah, an amused smile and sparkling eyes brightening her face. Then, her expression changing with her mind, Sarah concedes, soberly amending her response with, “well, yeah, actually— but seriously…wait.”
Sarah stops, suddenly staring off into space in her own non-sequitur; he waits, wondering what happened. She slightly frowns, then, her eyes squinting suspiciously and brow wrinkled with an expression of confused frustration.
“What was I saying?” Sarah. “The unicorn distracted me, and I lost my thought.”
“What you’d like to see---?” Wayne reminds her.
If Sarah were beside actor Claire Danes, confusing the two of them for twins would be easy; the resemblance was uncanny. Inhaling and exhaling deeply, slowly, she bolsters her announcement with an air of great solemnity, declaring, ”I’d like to live long enough to see children get the respect in our society they deserve.”
During her sojourn here, this discourse is indicative and typical of their conversations. They don’t speak of inane or mundane trivia, like normal people would.
If you were looking at actor Brian Austin Green in dim light while squinting, Wayne would look just like Brian Austin Green if you saw him while squinting in a dimly lit room.
“You mean,” Wayne elaborates for her, next to her on the couch, deducing her line of thought, ”how kids are treated like property? Or accessories and status symbols for parents?”
“Exactly!” confirms Sarah, gratified and thrilled that she and he were on the same page. “Children are considered property--” she professes, earnestly, “--not people.” She shifts into a more comfortable position, and leans into the dialog.
“Or the way,” Sarah continues, enthusiastically, ”our society tries to conform and homogenize kids into the same mold of normal.”
“Normal is over-rated--” Wayne observes in annoyance, ”celebrated, promoted and rewarded in our media-culture as an ideal to strive for, to desire and prefer.”
“Our society seems intent,” reciprocates Sarah, disgustedly, ”—designed, even-- on eradicating and dismissing specialness. We insist on categorizing abnormal behavior or thinking as mental illness, and all mental illness as disease--- to be removed or cured. People who are not normal are considered broken, damaged, and need to be ‘fixed’. But they’re trying to fix something that isn’t broken--- only different. They insist on coercing conformity. Development and education of children is treated as a clockwork mechanism, uniform… as if--”
“As if—“ Wayne interrupts, anticipating and finishing her thought, “--all kids are the same,” affirms Wayne, ”interchangeable.”
“Our demented and perverted society,” Sarah is propelled by her passion and conversational momentum, ”measures— and values-- quantity of life over quality. Culturally, we are negligent and irresponsible in the corrupting environment we subject children to. We tell kids they can be whatever they want to be when they grow up, especially in America, knowing this is untrue... and then systematically proceed to indoctrinate them otherwise incapable.”
“Like In the news media— or The Catholic Church,” analogizes Sarah, invigorated by a symbolic revelation, “translators and editors deliberately altering the original meaning of text, promoting a point of view or agenda.”
“Ohh, great metaphor…” compliments Wayne, “very clever.”
Sarah merely nods, a subtle grin playing on her mouth.
“You need a license,” contributes Wayne, in agitated consternation, “to run a business, to teach, to council— even to drive or operate heavy machinery. And yet, for something so important as parenting-- anyone can become a parent, regardless of qualification or worthiness.“
Wayne Gordon is a security guard at a private paranormal research and development facility called The Prometheus Institute— where Sarah Decker arrived five days ago; part of a covert paramilitary group known as Unknown X, serving as protective escort for an experimental vaccine created by scientists at The Institute… to combat a recent outbreak of an accidental vampiric viral mutation beginning to spread throughout America. UX served as a task force designed to investigate and resolve paranormal situations and potential threats to public safety or national security.
“Well, there is the problem,” points out Sarah, ”of determining criteria of qualifications. And who gets to decide. How do you avoid a dictatorship?”
“Right. There is that,” admits Wayne, sighing reluctant conciliation, “But surely there is a way to moderate or mediate some kind of-- of quality control.”
“Also,” Sarah adds, “that sounds like a kind of eugenics. Selective breeding?”
“Well, in a way, I suppose it is,” agrees Wayne, “but that doesn’t necessarily have to be a bad thing, right?”
“Not necessarily,” notes Sarah, “No. But it could be abused by those in power. Even if well intentioned or unintentionally.”
“Maybe”, allows Wayne. “But we speak in quaint colloquialism of ‘making babies’…when actually, what this really is--- is PEOPLE making. We tend to forget— or ignore-- that children are people. There are so many ways to ruin or damage a child— psychologically.”
“Exactly!” exuberantly remarks Sarah, ”society wants us to think the world we live in is real, definitive… but it is illusion— a masquerade. An undignified contrivance for the convenience of sustaining and perpetuating an inevitable society machine. In authoritarian absolutes, we impose and coerce rules and moralities— as if we have no choice but to mindlessly accept and obey! Instead of seeing what they want us to see, we should imagine the possibilities of what could be instead. This cavalier complicity of compliance is doing irreparable harm to kids, replicating the idiocy of adult obstinance. We pollute the minds of our children!”
“Basically erasing and destroying,” conciliatorily pronounces Wayne, “the unique perspective and cherished essence intrinsic in childhood. No one consults children. No one considers the wishes or perspectives of children. I don’t mean their whims, but what they really want and need. Adults like to assume children know nothing. Adults find comfort in believing children are stupid and… and nonparticipants.”
“Relegated to… obsequious non-entities,” interrupts Sarah, perturbed by the predicament, “susceptible to capricious vanity and ego of grownups.”
“Right,” vouches Wayne, ”but we both Know kids know a much more than most adults know. Both in the sense that kids know more than adults about the true real world, and more than adults are aware that kids are capable of knowing. More than adults are willing to give them credit for.”
“Indeed. I’m very impressed with the free school approach here,” Sarah compliments The Prometheus Institute’s innovative and democratic manner of curriculum. “I wish public schools were as open minded and flexible as this place, instead of the standardized and mechanized assembly line used in public education. After this mission, I plan on coming back soon… enroll in a few classes to refine my abilities.”
“And to hang out with me some more,” Wayne slyly states.
“And to hang out with you,” she validates, with a coquettish nod and smile.
Since she is a civilian consultant for UX, Sarah leaves the defensive aspects of their current assignment to the other four members of her otherwise all male team… allowing her the free time to explore the Institute’s psionic training venues. Of course, Wayne also likes to watch the students in training, so he and she were destined to meet. While he is on duty, Sarah audits and observes classes or wanders the facility; and when Wayne is off duty, she and he have become more conversant with each other.
Sarah pauses a minute or so to marshal her thoughts, as Wayne basks in her effervescent zeal, waiting in an unawkward silence the forthcoming— the oncoming-- procession of ideas.
Returning to the topic of discussion, Sarah confesses, “I never understood why so many people want to be like everyone else, and why society not only encourages that mentality, but expects it. Demands it, even.”
Affirming the sentiment, Wayne recalls and shares aloud, now, an epiphany from his teenage years, after an outstanding performance in a baseball game. As the crowd robustly congratulated him with cheers and adulation, he realized— in the overwrought approval of these people— the true error of his achievement. To be accepted, and applauded and accoladed by pedestrian people such as these was hollow and meaningless, and must surely denounce the erroneous virtue he had attributed such accomplishments.
Sarah eagerly listens as Wayne relays his anecdote for her; she, nodding her empathizing consent, a grin expanding across her face.
“Yes!” exclaims Sarah in approving affinity, ”Why should we care what ordinary people think about us? Why should we want to be like them?”
“Imagine a world,” proclaims Wayne, leaning toward his friend conspiratorially, “where being extraordinary or exceptional was genuinely cherished… fostered… commonly aspired to.”
When Sarah Decker first saw Wayne Gordon, she immediately recognized a simpatico, passionately embracing it— and him… literally, and metaphorically. Which was, initially, a pleasant, though somewhat awkward, surprise for Wayne— who soon realized a strange synergy and familiarity with this woman. She felt an instant connection to him-- as if she and he had been best friends for years. Daily, she astonished herself by her sudden capacity to be gregarious, since she met Wayne. Though Wayne has known her only a few days, Sarah trusts him completely and implicitly. And even Wayne acknowledged a bizarre sensation of déjà vu permeating the air around them… and that a day seems as a year with her; in the sense that he, too, feels a long forged and deep kinship with Sarah— innately comfortable and comforted with her. She confessed that this has never happened to her, and she isn’t normally so… extroverted.
She had many friendly acquaintances… but except for her parents, she never really had any true or close friends. Until now.
As a child, Sarah Decker was shy and inarticulate, and the remnants of that seeped into her adult life. She did not play well with others, generally preferring to be alone. And, as a result, was still somewhat, you might say, “socially retarded”. She should learn how to talk to people, to socialize more, people have said— to her, and about her. Yeah, that’s like telling someone in a wheelchair they need to learn how to walk.
Except for her parents, she had no real friends to speak of, or with. Gradually, Sarah’s exceptional parents understood and accepted that their daughter— as with most kids-- was not like other kids. But more than merely being different, Sarah was highly intuitive and empathic. Being around people, immersed in their emotions, was often too overwhelming, exhausting, disorienting.
As she matured, Sarah learned to endure exposure to larger numbers of people for varyingly short— though increasing-- amounts of time.
Although she is not exactly afraid of crowds, engaging with people usually make her uncomfortable, self conscious of her awkwardness.
So when she encountered Wayne, she is ecstatic! With Wayne, Sarah feels excitingly comfortable and secure enough to fully be herself with another person; becoming uncharacteristically liberated by his presence. For the first time, her true self is able to come out and play without inhibition or insecurity, having found a worthy playmate.
Outside of her writing, she has never been so verbose; not even with her parents.
She Knew— within seconds of meeting Wayne— not only that he had meta-human abilities, as well, but also what they were: enhanced agility and dexterity, plus low level capacity for psionic healing (of himself and others).
His precision marksmanship enables him an acumen with projectile weapons ranging from bullets to baseballs. And his athletic proficiency was nearly sufficient to earn him a chance in the Olympics— without extensive training.
Furthermore, she gleaned, in her ethereal way, that he was as fascinated by the paranormal as she was. He didn’t just work at the Institute, but was a student resident there since adolescence.
Entering puberty, Sarah’s psi abilities had expanded to include claire-cognizance and psychometry. She knew things she had no conventional means of knowing. But she could not control the mysterious insights or inspirations, nor when they arrived. Which further isolated her from normal human interactions.
She grew up a freak, generally disconnected from people… from the world.
Sarah Decker has always had trouble relating to others; and vice versa.
All of this contributed to make Sarah absent minded, with intermittent schizophrenic episodes and Obsessive Compulsive Disorder. Engendering a phobia of casual socializing and public speaking.
Even as an adult, a mild shyness persisted, which she often compensated for with an attitude of overconfidence and a strong will. People typically underestimated her, thinking her defective and deficient… unfit for public affairs. And in a sense, they were right— Sarah Decker was not fit for this world; she was more suited to a better world than this one.
Also, during early adulthood, Sarah acquired an absolute sense of direction; she always knew where she was and how to get anywhere from there.
As a teenager, influenced by her peculiarity, she became obsessed with the paranormal and occultism (fiction and non-fiction), and conducted an intense and extensive ongoing research into all related areas of the subject. She was also an exceptional writer, using her unique knowledge and experience to make a meager income as a freelance writer.
Sarah was trained by her parents from birth for induction into Lexiconus— an eclectic secret society of watchers who observe and preserve the truth of human history. A member for a smidge over three years, strings way above her pay grade were pulled, clandestinely inserting Sarah into a covert paramilitary agency called Project Unknown X eight months ago.
Principally, she was recruited as a civilian consultant versed in the paranormal, but secretly as a spy for Lexiconus.
Unfortunately, Sarah-- being prone to absent mindedness-- often forgot to submit regular reports— much to the consternation of her handlers. Even before she became a member of Unknown X.
With her Unknown X team, she was briefly assigned to Prometheus Institute as a protective escort for an anti-viral-vampire vaccine manufactured there.
“Imagine a world,” she adds, inspired by Wayne’s comment, “where adults preserve and curate childhood… where grown ups perceive and conceive the way kids do. Where reality is flexible and dynamic… instead of immutable and static. Where innocence and imagination dictate behavior. What if an increasing number of young people simply withdrew from the consensus of the common sense view that the world is market-based? What if, John Galt style, they left the older generations behind?”
WOW. Wayne sits attentively, transfixed in admiration and awe of her vision and world view… how kindred in spirit she was.
Urgently, Sarah proceeds, “Our society systematically diminishes imagination and curiosity--- our innate sense of wonder and adventure and open mindedness. I really hate that things have to be that way.”
“Yeah,” concedes Wayne forlornly, ”me, too. I totally support everything you said. But we can’t change it, so what good is complaining? Hating only makes us more miserable.”
“No, hate and contempt are legitimate responses,” asserts Sarah, emphatically. “If we strongly disagree with something, it is reasonable and appropriate to dislike it. And oppose it; even if only in passive resistance or tolerance. Complaining and hating are merely a sincere expression of our intense disagreement. Our dis-satisfaction.”
Sarah momentarily pauses to let Wayne consider her contrary council, which he diligently did. Initially, a residual twinge of insecurity had stung her at the first, though inevitable, point of divergence that had appeared between them, on their second day together, in the course of their camaraderie. Their mutual admiration society, potentially in danger of crumbling; their special bond, broken. But now, she was relaxed and assured enough with Wayne, with their relationship— and, by proxy, herself— to understand there is nothing to feel threatened by with him. From the beginning, he accepted and adored her as implicitly as she did him.
“We should dare to challenge and question illogic and ignorance,” she explains further.
“If we just accepted things and said nothing against them,” insists Sarah, determined to make her point, “then nothing would ever change for the better.”
“Yeah,” Wayne tentatively grants, “that much is true. But I’m not sure hate is very helpful. Or healthy. All the schools of wisdom teach forgiveness, tolerance… and positive thinking.”
“And those are all well and good--,” accepts Sarah, after a moment’s contemplation, “to a point. But so is contempt. Some things deserve our contempt. Wisdom also encourages: all things in moderation. There are degrees of hate. Both hate and acceptance can be good or bad, depending on how they are used. How you perceive them.”
“Well,” states Wayne, not entirely convinced, ”I guess that does make a kind of sense. I’ll have to think on that.”

16 hours later… In a frantic, but ultimately futile, effort to flee the three voracious vampires jovially chasing her, halfway down a flight of stairs, Sarah Decker grips the railing on her right side, vaulting over to evacuated lobby floor below. She lands awkwardly, twisting her ankle and stumbling to the floor... losing the extra seconds she hoped to gain.
Almost two hours ago, in broad daylight, Unknown X had just begun guarding the loading of the anti-vampire serum into an armored truck for transportation… when a mass of vampires ambushed Prometheus Academy. Within minutes, they have penetrated facility defenses, overwhelming the UX team. In the hectic fray of that surprise attack, Sarah got separated from her teammates. You don’t expect vampires to come out during the day. But, apparently, these were not vampires of the usual kind. Clearly, the intel given to UX was, shall we say, faulty.
Now, lurching into the fall, she clumsily regains her footing, hobbling fecklessly a few feet before the assailants savagely plummet onto her, like a lion ravaging a zebra. Beneath terror and horror, a part of Sarah is gleefully giddy to be chased by vampires.
Though she could not run, her mind certainly did. One persistent thought.
The only thought in her mind, at what seemed to be the moment of her impending death, repeating on eternal playback, as they sink fangs into her: Where is Wayne?
~~~
Patterns of connection run through everything and everyone. There are no coincidences.
Cause and effect.
Sarah had to join Lexiconus, so she could become involved with Project Unknown X, so she could then guide UX to interdict a power struggle between immortals inside Lexiconus. By joining UX, she was positioned to meet and inspire Wayne Gordon to follow in her footsteps, recruited to replace her in UX when she was “lost in action”.

Friday, January 27, 2012

And That's Not All!

http://www.batmandeathwish.com


Fanfarlo "Shiny Things" from Tim Nackashi on Vimeo.


GRAVITY // UN RÊVE DE DEMAIN from Filip Piskorzynski on Vimeo.

Saturday, January 7, 2012

Innovating new possibilities for what can be done in science fiction

Integrating narrative with essay and poetry...

By me has been written many a book.
I hope you venture to give them a look.
Peruse the selection over along the right.
Let mind and imagination engage flight.
Philosophy, media studies and science fiction unique…
A wandering adventure through tableau fantastique.
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Thursday, December 29, 2011

short story: And They Will Try To Make Us Forget Ourselves

Somewhere, a barred, upwardly and keenly arched window of moderate size hangs in a stone alcove protruding over a lakeside view. And in that somewhere, two people walk-- as yet unknown to them-- in an oblique approach vector.
A 25 year old Caucasian and an 8 year old American Indian discover this during a strolling adventure one summer morning. Cassandra O’Brien, and her younger companion, La’Roba.
Woman and girl.
(Did you assume these characters are male?)
Cassie has been alone for a long time. Despite her dear friends and family she adores.
Not exactly alone. Of course, there are the doors. She dreams.
To be alone, or to feel alone— and be ok with it-- is to form and formulate solitude, to cultivate and curate solitariness.
As the difference between someone who has seen the sun and one who has not—or even one who can see and one who can not; there is an itinerant and inconsolable language barrier, an irascible incompatibility. Or maybe vice versa. Which, alas, has a way of intermittent isolation.
She dreams; not to be alone, but not to be alone.
When someone you know appears in your dream tableau, the character is actually an extension or piece of them. Whether deriving from them, your interpretation of them, or some variable combination… doesn’t matter. And like a ghost or spirit apparition, these personages are a kind of lingering residue or energetic impression of the living person.
Approaching that enigmatic window in the spirit of exploration, the two travelers look in and see several people of varying ages and races in a small storage room. These erstwhile souls have been trapped, they say; discarded by those whose dominion is a palatial hotel visible in the near distance behind that window.
The shining beacon beckons Cassie and La’Roba, hither.
Entering the main lobby, vast walls echo and reverberate in a thick, post-apocalyptic silence, born in the absence of people. Persisting their expedition further inward, Cassie is drenched, in a feeling more than a seeing, with a surreal incandescence… like heat waves flowing from hot ground. There is a distinct sensation of being in an alternate dimension— as if she and La’Roba had crossed into The Twilight Zone. Regardless of the profuse and profound oddity permeating this place, this felt more real and meaningful to Cassie than the waking world somewhere beyond those doors.
The little Indian girl stares in wide eyed wonder and excitement, a hint of a grin on her mouth, reflecting Cassie’s own eager expression.
Throughout the grand palace of a hotel, the décor emanates and emulates a sublimely majestic elegance. Composed in immaculate Victorian style architecture, blended with art-deco/ nouveau features. Along the way, they paused in their wandering to admire and appreciate the intricate detail in the craftsmanship and artistry of the ambiance — which, sadly, too often went passed by unremarked by passers by… as if nothing but background noise.
Golden hued walls, mustard yellow curtains and carpets sprinkled with florid royal red aurum patterns, finely carved wooden doors of white so bright they seemed luminescent, and intricately designed beige and mahogany tinted furniture— all adorned with cream garnishment and deep burgundy trimming.
Out of the magnificent bay windows displayed along the hotel front, could be seen a marvelous ovoid paved courtyard of earth tone colored cobble-stone, lined with exquisite foliage, circumnavigating a spectacular fountain. Everywhere inside, magnificent crystalline chandeliers brilliantly cascaded from the ceiling, like water from the pristine fountain out front, casually hovering; and ornate light fixtures sprung— no, sprouted-- from the walls to decorate them, like the flowers growing in that garden… lighting their path.
Bemused and befuddled, Cassie, the hallway reminded her of traversing a circus midway, and was struck by a smidge of nostalgia for her childhood.
Along the corridor into a grand and pristine ballroom, full of emptiness and desolate quiet, the travelers wander in an aimless urgency. Here, the upper half of the walls, above the fine wood paneling, feature alternating and equidistant red and white vertical stripes, with a row of white stars suspended horizontally in the red stripes— not unlike a circus or carnival tent. Crystal plates and drinking glasses are already arrayed on amber and maroon-laced table cloth; as if in preparation for anticipated visitors. Except for the cleanliness and presence of chairs positioned around tables with place settings, there was no indication that any one was home.
Or that anyone had been present in a long time. There was nothing in this grand hotel to validate any precious or precarious understanding of normalcy.
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Startled, La’Roba and Cassie gaze in stunned astonishment to witness a group of people coming into the room and gathering around tables to find a seat, quite suddenly and without any warning or apparent prompting.
Even more peculiar than the mysterious arrival of the denizens is what they were wearing.
Which was nothing. These people were completely naked and clothing free.
Cassie had the vague notion, she may have over-dressed for this bizarre occasion.
No, wait, one person did have clothes on— an elderly woman in divine and fanciful attire.
An elegant white ball gown with reserved but glorious frill and plumage and gold piping; similar to the proliferate architecture, also seemingly of the Victorian era.
As the host approached, Cassie noticed the lady looks like her mother, who looks like an older Gwyneth Paltrow. In some peripheral compartment of her mind, Cassie is vaguely aware of faint calliope music twinkling above them, drifting in the space between… lightly drifting, swaying, where silence begins and ends. Simultaneously ubiquitous and obsequious.
La’Roba warily nudges closer to stand beside and slightly behind Cassie as the matron approached Cassie to greet them, and explain this oblique affair. She, the host, glided and gilded with regal grace and poise, beaming as serenely as a monarch.
All guests and attendees to the banquet were expected to expose themselves, body and soul—which included literally being nude. None of them seemed to think this nakedness objectionable.
But, being of the shy and self-conscious sort, Cassie hesitated, dubious… nervous. The host— Cassie’s mother-- was quite, though politely, insistent on the strange criteria. Her tone and demeanor indicated an innocent bafflement-- as if not understanding why this would be a problem. Although their gracious and graceful host paradoxically continued to keep her clothes on, clearly without any awareness of the obvious contradiction. To so brazenly and casually have her mother asking her to strip naked was weird for Cassie.
Inquiring as to what happens to those who decline or resist removing their clothes, the elder host informs her, in uncertain terms, that refusing to comply with the strict dress code would be considered extremely rude and untolerated.
If anyone insisted on being obstinate on this matter, they would not only be denied participation, but also be forcibly sent away… discarded, denied. Invitation rescinded.
When encountering an idea which challenges or contradicts what we believe or want to be so, a neurotransmitter triggers a defensive mindset that makes us resistant and repressive to ideas contrary to what we think we know. In such a discordant mental state, we become less receptive, less tolerant, less open minded about different and unusual and unexpected and undesirable things. By psychologically labeling the self as internal and the environment as external, we constrain our own neurochemical processes and experience a deluded and false disconnection. And the self-amplifying cycle of acceptance and acknowledgment, sustained by the daily choices in our interactions, is the chain-reaction that will ultimately eradicate feelings/ impressions of alienation and separation.
There is no such thing as a free choice while being emotionally attached to a belief system.
If we may achieve enough self-aware to realize this, we can truly work together to figure out what will benefit us most— individually and collaboratively; determine and understand what we really want (from ourselves, from others and from life).
The question is not whether our beliefs are exactly right or wrong, true or false, but— more importantly-- whether or not being emotionally attached to (or bound by) them is more or less likely going to benefit us, and to what extent. It occurs to Cassie how much we use clothing to confine us; fostering gender bias and conformity. We hide so much behind our clothes. We look outside ourselves to find what to think of ourselves.
Women may wear a man’s clothes in this day and age, generally without proclaiming delinquency, impudence or vulgarity, but men… for some inarticulate and unspecified non-reason— it is not socially acceptable or decent in mainstream venues for men to wear women’s clothes. This may give the impression or illusion that women are more at liberty in their options and choices.
But the secret, unspoken truth is that men have implicitly granted women permission to wear men’s clothing… either to make women seem more like men, or to appeal to male preferences. Females are allowed such discretion and latitude so that men might have pretty things to look at, and to lust after, to adorn and reward themselves with. In American society, it is regarded as ok for a girl to be a tomboy, but not for a boy to be girl-like (a tomgirl?).
When a man must dress up— professionally or for some special occasion-- they are expected and constricted to wear a suit… dull and austere. With that, a man is made just a suit… you're a zombie, there's no self-expression. There's no individuality or diversity within that. So it's either the men blend in and become a common suit, or revert to the more diversified fashion of your teens or 20s (a time before you are expected to be and dress like an adult). Women, however, not only have a vast and versatile variety of styles and colors to choose from, they also get to wears men’s clothes!
If she thought about it, Cassie would rage at the constantly imposed helplessness and secondariness and otherness of simply being female in this ridiculous world of hyper-masculinity. Relegated as a component/ opponent or adjunct or accessory to The Male. The fantasy trope of Monster & maiden is representative of this mode: the male is depicted as deformed, damaged, inhuman; while the female is portrayed as beautiful, normal, fully human.
And although this could be interpreted as a feminist perspective, Cassie might say— idealizing the female superior over the male, it is, at its inception, typically implemented as male driven fantasy. Or farce? Because inside this fantasy projection, the female is still traditionally constructed as submissive, subordinate, and secondary to male characters.
And who is the magician’s lovely assistant meant to distract and appeal to, if not the (heterosexual) men in the audience? And when a female led film fails at the box office, do we conclude that the writing or directing was poor? Well, professing that female led movies are innately bad would clearly be idiotic.
Our society values women for their beauty, and men for their utility. Our fictions have ostracized and estranged the female against and apart from the male. Indeed, Nietzsche’s renown negative opinion of women (with the exception of Lou Andreas Salomé) isn’t from a dislike of women, per se, but in women as they were historically composed in our patriarchal world… as a male dominated society has made them.
But sexism and gender bias are equally limiting for males as to females.
Culture is a kind of public schooling; a prison for your mind, and it's a travesty-- Cassie would also insist-- that we routinely and cavalierly do this conditioning to our children.
John D. Rockefeller is famous for having said, "I don't want a nation of thinkers, I want a nation of workers." --people who follow directions, who are able to stay in one place for about eight hours a day, and who fear authority, and are willing to endure mundane monotony or sell their dreams & souls for a price.
The idea that we test kids, and link teacher’s salaries to how kids are performing on tests is ludicrous; that kind of mechanized thinking has nothing to do with higher order or higher thinking. We're training them, not teaching them. With great sorrow, Cassie realizes how much her mind has been tainted by exposure to that detrimental environment. She is torn between regret and acceptance: all of her experiences have been opportunities for learning, have made her who she is.
And she likes who she is. Mostly. Cassie sees and knows and believes what she is able to see, know and believe because she was exposed to such things. These are the experiences that made her someone who could be a friend and mentor to La’Roba. So it can’t be all bad. She preferred to see the good in things, more than focus on the bad. To find the good inside or formed out of the bad.
And now, after too much contamination by a sexually repressive male dominated and consumer-based society, being naked with an audience would be awkward enough to Cassie; but she had not shaved her legs or under her arms or pubic area in over two weeks, and felt a momentary twinge of obligatory embarrassment… before shrugging away to foolish imposition. Surely, such things mattered more to us than others. To have these men among the guests— naked men, and strangers— looking upon her nude form, was not exactly an appetizing proposition for Cassie O’Brien. As if, she admits, a woman could not conceivably be sexually appealing & appeasing to a woman; or a man considered so appealing to another man.
Of course, there is no shame in running away, no dishonor in escape. Is it not reasonable to want escape one’s torment or imprisonment or unhappiness?
However, Cassie, being also the curious and adventurous sort, reluctantly— with encouragement from La’Roba-- relented to play along; both dropping their respective t-shirts and blue jeans and underwear on the floor where they stood. Except for her eye glasses, all 5 foot 3 inches of Cassie stood there stark naked. She wanted to provide a good example for her young friend; be brave and bold and unashamed… or maybe she wanted to live up to the high esteem La’roba had for her.
And every one could see that, like the hotel, Cassie’s carpet matched the drapes of her pixie cut brunette hair. Now fully nude, La’Roba and Cassie hold hands in commiserate comforting; La’Roba guiding Cassie (with the easy nonchalance of a child) to a pair of empty seats, as food and drink are served by similarly naked servants. No one else seemed to care that they were naked, beyond a passing and grateful acknowledgement of compliance. So… defiantly, stoically, boldly… Cassie O’Brien sat there in the nude, alongside her friend.
Remember what it felt like to be a child in full optimism and appreciation for this world and our potential as a human race?
As Nietzsche said: All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power… not truth.
And: Rejoicing in our joy, not suffering over our suffering, is what makes someone a friend. She knew La'Roba is definitely her friend.
Identity is fluid, flexible. Momentary expressions of an ever-changing unity with no center.
We, each of us, are in a constant state of, not only transition between what is and what will or might be… but duality, between how we see ourselves and how others see us.
We all have identities written in our name by others. We become transcriptions, transcribed; denoted in the thought or spirit of what others think of us, what another person thinks we are, or were, or should be. What we seem in the eyes and estimation of others is much like Gospels of Jesus— words credited to him according to others who are not Jesus, and may think they know Jesus. He did not necessarily say those words he is said to have said, exactly as documented… but would/ could have. Like “Beam me up, Scotty”, from Star Trek. The phrase is often attributed to Kirk; although it sounds like something he would have said, he never actually said those exact words on screen during the series.
In the search for ourselves, we are often like a search request submitted to prohibited database records. Query protocols get redirected to alternate archive source. We engage an attempt to access information that is so restricted, so elusive that it is not even officially (or consciously) catalogued within those data banks. Containment protocol initiates immediate isolation of related files, prompting a diversion to false, manufactured content... files in question that aren’t even stored in the computer— a security measure to prevent access or discovery. Several layers of calculated distraction & disinformation of multi-compartmentalization stand in the way. And there is just enough valid info in the fake file to pass as real; the data within that file is all true— after a fashion. Offering a semblance of truth.
Partial truths and truth hiding and mixed among lies. Partial, in the sense of being incomplete or imprecise, as well as being biased, preferred… maybe even wishful (or willful?) thinking.
When we are self-aware, we can alter misplaced emotions, because we control the thoughts that cause them. Random reactions and lack of self-awareness incites frustration and self-doubt.
Allowing self-awareness without attachment to the imagined self-- the idealized or delusional self-- enables dramatic increases in mental clarity, peace of mind, social conscience, and what is often described as ‘being in the moment’. Who we are is both a matter of choice and of no choice, to varying degrees; conscious and unconscious. The more of ourselves we can consciously choose, the less of ourselves is left to random chance.
There is no specific center of consciousness, Cassie has learned; the appearance of a unity is illusory, deceptive— separate areas of brain interactive/ simultaneous. Convergence of neural interaction expresses itself as consciousness. The type of thinking we do most often conditions our brain for that kind of thinking process and mentality.
Inexplicably, Cassie and La’Roba are abruptly led by the host— much to their surprise-- into another ball room, just as splendid and resplendently constructed as the room they left.
Briefly, Cassie is irritated by a sting of annoyance— she hates being disrupted… especially unnecessarily or foolishly. La’Roba, in her innocence, is gleefully entranced and taking the festively peculiar promenade in stride.
Barely a moment after she and her were seated at the table, they are cordially escorted to another ball room to begin the same proceedings and protocol again. That eerie— yet strangely soothing-- calliope music flittered around them as butterflies, a subtle and supple companion on this queer journey. Except her and she were already still naked, with a new group of just-as-naked people— female and male, of varied age and race-- were ushered in from the opposite side of the room. And like before, none of them appeared disturbed or discomfited by the mutual absence of clothing.
And like before, as soon as they are seated… about to receive their complementary meal, Cassie and La’Roba are spontaneously whisked away into yet another identically fantastic ball room. With another different set of naked attendees.
But this time, before Cassie and La’Roba can begin deciding on which table to choose, their genteel host kindly directs them to stand along the wall next to the entrance--- gesturing for them to wait here, merely watching the others in a somnambulic ballet of musical chairs.
As the others settle down into their meals laid bare, Cassie and La’Roba are then settled down to the end of an arched stone masoned corridor, and through a dimly lit and arched wooden doorway that resembles what might be found in an old castle. Descending a flight of spiraled stone-step stairs, the three of them arrive in a stone-walled walk-in storage closet. There are people already here. And they are all fully clothed.
And forlornly gathered at a barred half-circle window in the finely chiseled masonry, staring through onto a still and quiet lake shore. Which indifferently glimmered and glistened… like a red wheel barrow, glazed with rain water, beside white chickens.

Do you see what I see?

http://www.hulu.com/the-booth-at-the-end is like an Outer Limits episode at its best:

Also, a few decent episodes have come out of the Twilight Zone-ish Blackbox TV project:




Saturday, December 17, 2011

And then what did you see...?

Writing is too often and easily overlooked as a legitimate art form. Indie writer and blogger Teresa Jusino pleasantly demonstrates the sublime artistry of writing… with her intelligently amusing postage about feminism , as well as social justice and geek related issues.
A fantastically eccentric sci-fi music video by my favorite band— Eisley:

The I-Power crew produced this fascinating documentary about the social psychology of self identity and consciousness: God is in The Neurons

Writing is too often and easily overlooked as a legitimate art form. Indie writer and blogger Teresa Jusino pleasantly demonstrates the sublime artistry of writing… with her intelligently amusing postage about feminism , as well as social justice and geek related issues.

Kimberly Hart custom designs nifty mecha-birds
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